Such generous space could have been refurbished, reshaped to contemporary aesthetics, redressed with new, polished, immaculate objects for visitors to contemplate. It could have been stripped to its walls and made new, in a way. However, the French couple perceived that, in this mysterious edifice, something was dormant behind the walls. An identity of sorts, a personality: the house’s being. And they chose to listen up, to observe, to wait for this essence to be revealed. Then they inhabited it but in a way determined by the interaction between the shelter and the sheltered, rather than an imposition of one on the other.

Wall-paper from the turn of the century backs up a contemporary design bench upholstered with Harris tweed, which holds the United Kingdom’s oldest certification mark. Fresh flowers picked from the garden decorate the breakfast table every morning along with bread made in an ancient oven that is part of the original appliances of the house. A marble statue and a donkey look out at a group of contemporary dancers performing bare feet on the moist grass.

According to Le Corbusier, the real meaning of inhabiting lies in the relationship between natural elements (such as the sun and vegetation), architecture and human values. He “conceived a form of architecture that recognizes a symphony between man and ground, architecture and nature, grandeur and splendor, safekeeping the place, its historic values and the enhancing of each place’s characteristic beauty.” In creating a balance between the triad of the home -architecture, people, nature-, Anne and Jerôme have found the perfect way to inhabit this house. As the saying goes, they have brought with them their lares, those roman deities that represent ancestors, the domestic and the hearth, and have found a joyful, carefree way for them and their guests to inhabit their house.